Implementation of an eclectic interior style at the Ikan Bakar Cianjur Restaurant, Malang City
Keywords:
eclectic, furniture, heritage, interiorsAbstract
The application of an eclectic style to the furniture and interior at the Ikan Bakar Cianjur Restaurant, Malang City is an effort to shape the interior atmosphere of the room. The interior atmosphere of this room is tailored to the style of heritage buildings in Malang City. The Ikan Bakar Cianjur Restaurant building, Malang City, was designed using an eclectic style that combines several styles into the room. To create a space atmosphere, various interior elements are needed, one of which is furniture, which is considered to provide a visual appearance to the interior space in accordance with the main styling concept. Researchers try to focus the analysis on furniture objects applied to the interior of heritage buildings to create a spatial atmosphere. This research uses a descriptive qualitative research method by conducting direct study and analysis of furniture objects applied as interior elements at the Ikan Bakar Cianjur Restaurant, Malang City. Based on the analysis process, the Ikan Bakar Cianjur Restaurant, Malang City, implements an eclectic interior style.
Downloads
References
Ching, DK. (2018). Interior Design Illustrated 4th edition. New Jersey: John Wiley & Sons Inc.
Chrisswantra, Freddy. (2021). “Jepara Wood Carving And The Cultural Influences Of The Nusantara Maritime Spice Route”. Serat Rupa Journal of Design. Vol 5 no 2: 254–269
Gumulya, Devanny. Richard Santio. (2014). “Gaya Art Nouveau Sebagai Inspirasi Dalam Perancangan Desain Produk”. Jurnal Dimensi. Vol 11 no 2: 123-134
Hadiansyah, Mahendra Nur, Alvin Sofyan Hendrawan. (2020). “Persepsi Ruang Pada Interior Restoran Donwoori Bandung”. Jurnal Waca Cipta Ruang. Vol 6 no 2: 42-50
Handinoto. (1996). Perkembangan Kota dan Arsitektur Kolonial Belanda di Surabaya 1870-1940. Surabaya: Penerbit Andi
Kristanti, Adelina. (2013). “Studi Gaya Desain Cina Dan Kolonial Pada Furnitur Cafe & Bar Shanghai Blue 1920 Di Jakarta”. Jurnal Intra. Vol 1 no 2: 1-8
Novianty, Retno. (2019). “Adaptive Reuse Ex- Omah Lowo Solo As Wood Creative Industry”. Publikasi Ilmiah. Tidak Diterbitkan. Fakultas Teknik Universitas Muhammadiyah Surakarta
Pile, John F. (2005). A History of Interior Design second edition. London: Lawrence King Publishing Ltd. Piotrowski, Christine M. 2016. Designing Commercial Interiors 3rd edition. New Jersey: John Wiley & Sons Inc.
Purnomo, Agus Dodi. Yosi Samsul Maarif. (2019). “Membaca Kearifan Lokal Imah Panggung Bale Atikan Kampung Adat Cireundeu”. Jurnal Waca Cipta Ruang. Vol 5 no 2: 357-366
Purnomo, Agus Dodi. Kiki Putri Amelia. Safira Dirayati. (2020). “Penerapan Elemen Estetik Sebagai Identitas Budaya Lokal Pada Elemen Interior Terminal Penumpang BIJB Kertajati”. Jurnal Waca Cipta Ruang. Vol 6 no 1: 19-24
Sachari, Agus. (2006). “Pergeseran Gaya Pada Desain Furnitur Indonesia Abad Ke-20”. Jurnal Dimensi Interior. Vol 4 no 1 hal: 9-16
Sugiyono. (2005). Memahami Penelitian Kualitatif. Bandung: CV. Alfabeta
Sumalyo, Sumanto. (1995). Arsitektur Kolonial Belanda di Indonesia. Yogyakarta: Gadjah Mada Univesity Press
Sumarno, Caroline, Nurhasanah. (2018). “Gaya Desain Baroque dan Rococo pada Lemari Schepenkast di Museum Sejarah Jakarta”. Jurnal Mezanine. Vol 1 no 1: 29-36
Tanoko. Fani Kusuma. (2013). “Penerapan Gaya Eklektik Pada Interior Dream Of Kahyangan Art Resto Surabaya”. Jurnal Dimensi Interior. Vol 11 no 1 hal: 11-21
Wardani, Laksmi. (2009). “Gaya Desain Kolonial Belanda pada Interior Gereja Katolik Hati Kudus Yesus Surabaya”. Jurnal Dimensi Interior. Vol 7 No 1: 52-64
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Tennessee Research International of Social Sciences

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Articles published in the Tennessee Research International of Social Sciences (TRISS) are available under Creative Commons Attribution Non-Commercial No Derivatives Licence (CC BY-NC-ND 4.0). Authors retain copyright in their work and grant TRISS right of first publication under CC BY-NC-ND 4.0. Users have the right to read, download, copy, distribute, print, search, or link to the full texts of articles in this journal, and to use them for any other lawful purpose.
Articles published in TRISS can be copied, communicated and shared in their published form for non-commercial purposes provided full attribution is given to the author and the journal. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.